DK / EN

DK / EN

About

“I don´t think art will change the world,  but it can help us to understand it better” Marina Mascarell

Danish Dance Theatre is the national contemporary dance company of Denmark, based at the Royal Opera House in Copenhagen. As of April 1st 2023, Spanish choreographer Marina Mascarell has been the company Artistic Director. Danish Dance theatre is celebrated for its dynamic and diverse repertoire, ranging from grand productions at the Royal Danish Theatre, open air festivals and events to more intimate performances that challenge and inspire.
With a diverse troupe of dancers from around the world, the company continually pushes the boundaries of contemporary dance, embodying Mascarell’s deep commitment to humanist values. Her internationally acclaimed work, along with her invitations to other distinguished choreographers, brings fresh perspectives to the company’s repertoire, enriching both the national and international dance landscapes.

Each season, Danish Dance Theatre makes a significant impact on the international stage through extensive tours while also nurturing the local dance scene in Denmark. The company plays a vital role in the development of contemporary dance, not only through its performances but also by organizing annual events that foster creativity and collaboration within the dance community.

Founded in 1981, Danish Dance Theatre has grown into a major cultural institution. With the solid foundation laid by previous artistic directors Randi Patterson with Anette Abildgaard, Ingrid Buchholtz, Mikaela Barnekow and Warren Spears, Tim Rushton, and Pontus Lidberg, the company continues to evolve. Today, Danish Dance Theatre stands at the forefront of contemporary dance, offering powerful and thought-provoking performances that captivate and engage audiences worldwide.

Danish Dance Theatre receives funding from the Ministry of Culture. In addition, individual performances receive support from private and public foundations.

“I try to find the artistic independence taking artistic risks, avoiding the routine and conventions. It remains essential to continue a questioning attitude,” Marina Mascarell