In 2004 Shadowland had debut in USA performing ar Jacob Pillows Dance Festival. The performance toured same autumn in among others Australia. The press welcomed it like this:

 ”Mr. Ginsberg found all things holy, and this encompassing universality of existence is what Mr. Rushton captures in a plotless suite that peaks in energy and then resolves into acceptance of the world as it is.”
Anna Kisselgoff, The New York Times (US), July 14, 2004

”For all its potential retro nihilism, Shadowland evokes the lust for life of the Beat writers ...”
Anna Kisselgoff, The New York Times (US), July 14, 2004

”Mr. Rushton knows how to make things happen.”
Anna Kisselgoff, The New York Times (US), July 14, 2004

”The Danish Dance Theatre was so entirely original they cannot be compared to anything from the American modern tradition. It’s more evidence that the most significant developments in contemporary dance continue to happen in Europe.”
Theodore Bale, Boston Herald (US), July 12, 2004

”The Danish Dance Theatre constitutes the most novel and innovative aspects of this New Dance, which shuttles us in and out of ethical dilemmas, meaning and meaninglessness. It is thought-provoking in the extreme.”
Allison Tracy, The Berkshire Eagle, July 10, 2004

”Tim Rushton has a movement language that is controlled, unhurried and precise.”
Deborah Jones, The Australian (AU), August 27, 2004

”The mix of dance, words, music and video is supremely elegant and intelligent.”
Deborah Jones, The Australian (AU), August 27, 2004

”The cast of Danish Dance Theatres Shadowland is among the most fluid seen on our shores in long time”
Julie Hoffer, The Daily Telegraph (AU), August 27, 2004

”The dancers well-honed muscles aren’t a barrier to moving with an awesome sense of liquidity, suppleness and grace.”
Julie Hoffer, The Daily Telegraph (AU), August 27, 2004